DEE'S 2021 BOOKS BREAKDOWN!
Hello!
2021 was the most stressful year of my life so far, thus,
neglected blog. But I read a lot! I ended up reading 101 books…well, let’s say
“stories” since that number is padded with a lot of Lovecraft’s short
stories.
Without further preamble, here’s my 2021 Reading Round-Up!
Theme of 2021
Fiction:
What do you think I should read?
I was kind of all over the board with fiction
this year. I read everything from classical horror to sci-fi; a genre toward
which I rarely gravitate. I did, however, read many books that were suggested
to me. In some cases they were bought for me out of the blue! I’m often a
little skeptical of recommendations, largely because my taste is very difficult
to predict, even for me, and I definitely had mixed enjoyment levels of the books
friends and family referred me to this year.
Non-fiction: Get Angry
Ugh. What the fuck is wrong with
me.
To the detriment of my mental
health this year, my non-fiction selections were nearly all deep-dives into
rage-inducing topics: White supremacy, historical revisionism (of the
Confederates, no less,) gender bias and misogyny, domestic violence, and the
horrors of capitalism. Why am I like this?
Here come 2021’s standouts!
The Best:
Yes, it’s a tie.
A Head Full of Ghosts, by Paul Tremblay
For time’s sake, I’m going to quote
my Goodreads/Instagram review here on this gem of a horror novel:
“The eldest daughter of a sweet
nuclear family is having horrible experiences. Psychological or supernatural?
The family is unsure. Out of desperation, they find themselves signed on to a
reality show about their daughter's "demonic possession" and
"exorcism."
This book is a horror masterpiece.
And I mean "horror" in the classic sense--not the jump-scare,
sleep-with-the-lights-on horror, but the vacant-stare-into-the-middle-distance,
hand-over-your-mouth horror. Do yourself a favor and read it.”
Gideon the Ninth, by Tamsyn Muir
Y’all. Gideon.
A friend of mine believed in this
book so much that he actually gifted it to me through Audible to ensure I’d
absolutely read it. First, yes, I have the best friends, be jealous. Secondly, he
was so fucking right about how good this book is. Sassy, queer, mind-bending,
and impossible to predict. I loved the world it created, I loved the
characters, I loved the way backstory was revealed in small slivers of pieces,
gods, I loved it all. This is a debut novel and was a writer, I am so fucking
jealous of Tamsyn Muir. She is a fucking genius and I absolutely cannot wait to
read more from her. If you even remotely enjoy fantasy or sci-fi, read this
book, especially if you’re thirsting for queer representation.
Content warning, though: There is a
discussion of…ugh, how to not spoil this…let’s say, child death. A lot of it. I
hated this sort of content before, but since becoming a mother, it’s nearly
intolerable for me, so I figured I’d give a heads up in case anyone else is
similar. Still 100% worth the read, just go in with your eyes open. It’s
entirely in backstory and doesn’t go into gruesome detail, but it’s still
there.
The Worst:
Hey, would you look at that?
Another tie!
The Horror at Red Hook, by H.P Lovecraft
Chose this illustration because it shows all you need to know...
I
won’t dwell long on this one because it’s a classic, but folks…Lovecraft.
It was my
original intention to read his entire works. Lovecraft is a big source of
inspiration for George RR Martin’s A Song of Ice and Fire, which is my
One True Love of fantasy (he also takes from LOTR, and I also tried reading
that again, and it similarly ended in frustration.)
The
problem? Lovecraft was racist. As. Fuck. And not just “well of course he
was, look at the era he lived in” racist. No, he was racist for his
time. He was a fucking Hitler fanboy because of the whole genocide thing. I
can’t make this up.
However—the
biggest however I’ve probably ever experienced—he is also the Granddaddy
of Horror as we know it. He was exceptionally generous with his ideas and
encouraged other writers to use his characters, creatures, and mythos. This has
made his work a pillar of horror. Therefore, as a considerably well-read nerd,
I basically felt obligated to give the pasty little douche nozzle a shot.
I got as
far as Red Hook before I wanted to drive to Massachusetts and spit on
his grave.
He’s racist
in the other stories I read, ranging from “casually” “for-the-times” racist
(like he randomly throws hate at Germans?) to…sigh…describing a black person as
“a loathsome, gorilla-like thing, with abnormally long arms which I could
not help calling fore legs, and a face that conjured up thoughts of unspeakable
Congo secrets and tom-tom poundings under an eerie moon.”
What
in the KKK masochist’s wet-dream nightmare diary…
I somehow
rage-read my way through the delightful story from which that passage comes,
but when I hit The Horror at Red Hook, which is basically Lovecraft’s
reaction to moving somewhere with, gasp, an Asian population, I threw up
my hands in defeat. I don’t care if this dude is the Granddaddy of Modern
Horror. I’m out. I love myself too much to subject myself to this level of
bigotry. Maybe Lovecraft actually died young from acute karma.
Skip it for
your sanity. There are so many writers, game designers, etc, who have utilized
Lovecraft’s mythos without the vitriol. I suggest sticking to those and only
diving into Lovecraft’s greatest hits a bit at a time, with a very tall
glass of whiskey in hand.
The Sun Down
Motel, by Simone St. James
I
have a very hurtful relationship with the books of Simone St. James. I’ve read
three now, and every time, I go in hopeful and I leave burnt. I’m drawn in by
the promise of feminist ideas in horror, of looking at the lives of women over
decades and how society treats us through the lens of ghosts and other
supernatural phenomena. Dee Catnip. And every time—every time—the story
ends abruptly with a moustache-twirling villain, a dramatic death, and a wildly
unrealistic dump of exposition regarding motive.
The Sun
Down Motel’s ending was so bad, you guys. So. Fucking. Bad. Silly
bad. I’m about to get into spoilers, so if you don’t want to know, you can end
with this: This ending finally broke me of my constant temptation to Simone St.
James. I’m done. You’ve hurt me for the last time, Simone.
Now for the
SPOILER that broke the camel’s back:
So. The
villain has triumphed. He’s in the hotel haunted by his murder victim and he’s
weirdly unphased by the fact that ghosts exist. Rather, he’s…like…sexually
aroused by her pain continuing beyond death? Anyway, he routinely checks into
the hotel in the decades after the murder and just marinates in the ghost’s
rage and suffering, which in a better book, would actually be a pretty cool
idea in a fucked up horror way—damn you and your good ideas with shitty
execution, Simone!
Our heroine
enters, a struggle ensues. Wait. A struggle ensues after the villain
monologues a bit for no other reason than to let the reader know his exact
reasons for being a murderer, I guess. Then a struggle ensues. But while
the struggle ensues…the villain keeps talking. I’m talking a
life-and-death physical altercation, with weapons. And during this, the heroine
asks questions, and the villain answers.
Then. Then
then then. Then…then the heroine fucking. STABS. The villain.
Stabs him
dead in the chest. No coming back from that, folks.
Buuuuuuuuut.
While
this dude has a fucking knife buried to the fucking hilt in his fucking
chest, the heroine continues to ask him “Why, oh why, oh why did you do
this thing?!”
And he.
Fucking. Answers. Her.
He fucking
answers her.
While
dying.
From a
sucking chest wound.
Yeah. No.
Just…just no. We have crossed the line from typical-thriller-trope to a fucking
Monty Python skit. I’m out. No more Simone St. James for this grumpy bitch.
Must-Read:
Delusions of Gender, by Cordelia Fine
A
brilliant book that completely shatters even the most seemingly insignificant
notions of inherent behavioral differences between cis men and women. And the
best part? It goes into why we seem to observe these differences between
the cis sexes, using, wait for it, science!
Even if you are well-educated in
the field of gender studies, you will find something in this book that will
surprise you. You truly will. This is one of those books whose content I would
inject into the brains of every human on the planet if I could. The sassy
sarcasm can get a little irritating, especially if you’re listening to the
audiobook, but that’s literally my only critique. Read it. Read it, read it,
read it.
Funniest: A
Libertarian Walks into a Bear
As
with years past, I find myself with a dearth of humorous books. I’m not sure
what the issue is, but I have a hard time finding a funny book I want to read.
After hearing about the catalyst for this book on TikTok (that’s right, I’m on
TikTok, I’m hip,) I absolutely had to read this.
In 2004, a
group of Libertarians hatched a plan to move as many of themselves to Grafton,
NH, and basically impose their ridiculous Randian ideals on the entire town. Hilarity
ensued.
Unfortunately,
it wasn’t all hilarity. I was expecting a fairly light-hearted read with a heaping
helping of smug pleasure (for those who don’t know, I despise Ayn Rand and find
the Libertarian movement to be particularly obtuse, pathetic, and insidious,) while
reading about Libertarians learning the hard way that zero government oversight
and radical individualism doesn’t, in fact, lead to the grand utopia they think
it does. However, Libertarian transplants weren’t the only people in Grafton,
NH, and innocent people suffered the Libertarian invasion in many ways. This
included an innocent person being maimed by bears who, already a problem in
Grafton, were emboldened by people feeding them (nobody called the authorities
because someone was feeding the bears on their own property and ‘that’s their
business’) and drawn to the area by the piles and piles of uncollected trash
everywhere because regulations on food disposal are apparently peak government
overreach. So as much as I wanted to laugh at ridiculous radicals reaping what
they sowed, this book forced me to humanize the situation and look hard at the
consequences of the breakdown of public funding and regulations with public
safety in mind. How dare this book refuse to serve my baser instincts. Grumble.
Joking
aside, this book is witty, fair, and well-rounded, and I highly recommend it. I
especially recommend it for those who are even a little sympathetic to
Libertarian views, to those who even go, ‘Well you have to admit, Libertarians do
make sense from the standpoint of personal accountability.” This book and the failed
“Free Town Project” in Grafton is an excellent cautionary tale of what happens
when a group of people get exactly what they want.
Guilty Pleasure:
Sharp Objects, Gillian Flynn
I didn’t really read any “indulgent” books this
year. Sharp Objects is brilliant, just as brilliant if not more so than Flynn’s
more popular Gone Girl. The reason I call it a guilty pleasure is
because there’s a level of…psychological masochism…to reading this as a person
who struggles with impulses to self-harm. I reviewed it in more detail on my
Instagram, so feel free to check it out there, but in short: There’s a murder mystery
for the main plot of the book, but I was really there for the toxic family
dynamics and the brilliance of the psychology. But if you’re a person who
struggles with self-harm, know that this might be a trigger for you. And I mean
trigger in the true, clinical sense, not the #triggered sense. Tread
lightly.
Best Audiobook: The Searcher, Tana French
I
listened to a lot of audiobooks this year that had many talented narrators, but
The Searcher wins it for me. Tana French, though she holds the medal for
the bleakest book I’ve ever read (The Witch Elm,) nevertheless is an
extremely witty writer. Her dialogue is hilarious in a perfectly Irish way, and
Roger Clark, the narrator, portrays each character with an earnestness that
matches the content perfectly. The Searcher isn’t quite as bleak as The
Witch Elm, but its conclusion is still likely to send you into a mild
existential ennui. Having said that, it’s a gorgeous, atmospheric book, and I’ll
be reading it again soon.
Best Audiodrama: The Sandman Part II
Just
as good as the first one. I don’t have much to say about it other than that. I
was so happy to hear trans and nonbinary voices for a trans and
nonbinary characters. Bare minimum, I know, but I did appreciate it.
Skip It: The
AOC Generation
I’m
not really sure what I had expected from this book. I was looking for more information
on Alexandria Ocasio-Cortez, since she is a large figure in the left-leaning
political sphere. This is more of a fawning puff piece stretched to
book-length. There certainly wasn’t much about “the generation.” Skip this
book. It doesn’t have much more info on her than her Wikipedia page, and if you
like her, follow her Instagram.
Most Feels:
Kindred, Octavia Butler
In
a word: Ouch. Fucking ouch. A masterpiece of a novel about an unwilling
time-traveler that leads her to the plantation from which her ancestors sprung.
I just…just read it. It’s brilliant. Refuses to whitewash and refuses to look
away, but it isn’t the white-focused “tragedy porn” that many slave stories in
media tend to be. Octavia Butler was a genius and a black woman and both
aspects of her inform this work. Read it. It will hurt you on multiple fronts. It
may take time to process the emotions it brings up, but read it.
Biggest Surprise:
Gideon the Ninth, Harrow the Ninth, Tamsyn Muir
Yeah,
I already dove into Gideon. It and its sequel wins this category because
I was not expecting to love them as much as I did. Like damn. Harrow
was a little more difficult to follow because the heroine isn’t entirely
certain of what’s going on, like, the entire time, and therefore, neither are
you, but the prose, the story, the characterization, *chef’s kiss.* Again, read
them. I’m counting down the days until the third book is released in September.
Biggest Let-Down:
Axiom’s End, Lindsay Ellis
I
almost left this one out because at the end of 2021, Lindsay Ellis left her
decades-long career as a video essayist and influencer after a barrage of social
media dogpiling, a form of online abuse and harassment. She didn’t deserve it,
and yes, I will die on that hill, not just because I was a fan of hers. This,
however, is ultimately a digression.
When I picked
up Axiom’s End, I really wanted to like it. As I mentioned, I have
been a fan of Lindsay Ellis’ video essays since she was the Nostalgia Chick for
Channel Awesome. Though I balk at the idea of parasocial relationships and I definitely
saw some issues in her in the decade-plus time she was a public figure,
ultimately, her presence was something that taught me a lot about film,
media analysis, and even feminism. So even though I’m not the biggest fan of
sci-fi, I read Axiom’s End.
And…sigh. I
didn’t like it.
I didn’t
like it on just about every level.
I’m so
sorry, Lindsay.
A novel
about a young woman’s encounter with an extraterrestrial, the government, and
her damaged family’s ties to both, I was not the target audience for this story
to begin with. I’ve never much liked these kind of stories. Loved E.T as
a kid, but that’s about it. Ellis, however, has always been a fan of the Transformers
franchise, and it shows in this. It shows.....like 50 Shades of Grey
shows E.L James’ love of Twilight.
Sigh. Yes, I’m
suggesting that Axiom’s End read like fanfiction.
There’s nothing
wrong with fanfiction and there are many jewels to be found in that genre. But the
influence of Transformers on this book is painfully obvious (it
literally quotes one of the movies at one point…”the whole plate,” one of its
most recognizable quotes) and, at least for me, there is little of the original
content that shines for me. The prose feels very much like a debut novel—gods,
I sound so arrogant, I swear I don’t mean to sound superior—but the prose is
pretty raw, pretty rocky. The plot is…meh. The characters are…meh. The book is
meh.
I still
encourage you to read it if you’re interested, especially since there’s a
sequel that may have smoothed out some of the rough edges of its predecessor.
But, sadly, I was hoping for more out of this book.
The Midnight Library
I
feel bad about not liking this book because it came highly recommended
to me by one of the most important people in my life. She even bought it and
sent it to me.
This is a
huge bestseller and overall, I really did like it. I really did like it a lot!
The concept—a place one goes between life and death where you can make
different choices in your life and see where it would have taken you—is beautiful.
I love it. Perfect magical realism. The prose is at times gorgeously
experimental and laugh-out-loud hilarious. If it weren’t for the ending, I’d at
least have given this book four stars for the prose alone.
But that
ending.
I won’t get
too into it, but even if I discuss the broad strokes of what I hated about it, it
will spoil it, so, SPOILERS despite me not going into detail:
The ending
killed the entire book for me. How did it end? Think It’s a Wonderful Life
with a heaping helping of Henry David Thoreau (whose work I despise.)
As a person
with depression, the book’s completely unsubtle conclusion—that someone driven
to suicide just needs to change their perspective!—was a slap in the
face. So we went with this character through all these different scenarios,
through all these lives and trials, just to end with “It’s all in how you
look at things!”
Exercise
more! Don’t focus on the negative! Power of positive thinking! The outdoors is
my medication!
Fuck off.
I think I rather
viciously gave this book a one-star rating on Goodreads because I had liked it
so much before the ending just hit me like a brick to the teeth. I have other
gripes—it dragged in places, and when I say ‘dragged,’ I mean draaaaaaaaaaaaaagged,
and I didn’t really feel attached to any character other than the librarian
herself—but really, it was the ending that killed the book for me.
Having said
that, the person who recommended it to me absolutely adored it and felt its
message was uplifting and encouraging, and I have other people in my life who
read and adored it, so give it a go. It’s a bestseller for a reason. I just fucking…ugh.
Fucking hated where the story led.
Finally Got to It:
Gone Girl, Gillian Flynn
I
technically started this book at the end of 2020, but it’s the only book I’d
been putting off that ended up concluding in 2021. I don’t have much to say
about it other than, it’s great. It goes deeper than the movie, of course, and
Gillian Flynn is an absolutely stellar writer. I love the premise of this
story, and I also enjoy seeing a very insidious female villain from a female
perspective. She’s still a villain through and through. There is pretty much
nothing sympathetic about her. Full-blown sociopath, and she commits her
offenses in distinctly societally ‘female’ ways, yet it doesn’t feel sexist,
and you may even, kind of, a little bit, like her? Like, no, she’s horrible,
but…but I mean…she doesn’t have a point, but…I mean…don’t you kind of
get where she’s coming from, even if it’s not what you’d do…maybe? No, she’s
horrible. But…?
That’s all she wrote. She is me. Sorry for the late post, but
like I said, 2021 was horrifically stressful, and so far, it looks like 2022 is
going to be more of the same. I’ll do my best to post, maybe finally do part 2
of my religious post from gods know when, but hey, Mama has three toddlers and
she doesn’t sleep anymore.
Good luck this year, folks. I’m afraid we’re all going to
need it.
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