The Voodoo Fad and Why it Hurts my Heart a Little
Why, yes, this image has everything to do with Vodou. |
I apologize for the length of time
between each of my posts lately. It’s kind of tough to get back into the swing
of college after a two year absence. I also apologize that this is a rant with
absolutely no bigger message, point, or any good organization or clear
thoughts. But let’s just get right to it.
…
Okay, here we go.
This is going to be one bitch of a rant.
Let’s talk about the affinity I
have for Haitian Vodou and Louisiana/New Orleans Voodoo and why the hell I have
such affection for such a random topic that obviously has nothing to do with my
personal history or heritage. As my invisible/imaginary readers probably
already know, I’ve been working on a novel project under the working title
Demetrius and Chloe for the better part of three years now. Demetrius, the “antagonist”
of the story, spent a lot of time in New Orleans under the roof of a modern
Vodouisant (practitioner of vodou), who worked with a combination of
traditional Haitian Vodou and the religious melting pot that is New Orleans
Voodoo. Vodou themes and symbolism run rampant throughout the second draft of
my novel, though hopefully I’m being subtle about it. Due to my novel project,
I began studying Vodou in 2011 and found it to be the most fascinating and
unique mythology into which I’ve ever delved. I’ve studied Haitian Vodou, New
Orleans Voodoo, the Haitian Revolution, and the history of voodoo in New
Orleans (emphasis on slavery in New Orleans and the two Marie Laveaus and their
family) exhaustively. In fact exhaustively
is probably putting it lightly at this point. Vodou immediately became an
obsession of mine and I’ve had tremendous respect and love for the religion
ever since.
I’m going to take this moment to
clarify: though the religion absolutely fascinates me and I adore it, I do not practice Vodou. As I mentioned
previously in a blog
post involving this, Vodou is a religion, and it is steeped in Catholocism.
It includes the belief in a distant and all powerful god (Bondye), spirits that
aid in the day to day of mankind for said powerful god (they are known as the
loa/lwa), and the belief in a spirit world, obviously. I don’t believe in any
of these things. My fascination with any religion, be it Greek or Norse or “Celtic”
or Haitian, is my fascination for mythology. Vodou just hits the perfect blend
of culture, history, and mythology to be Dee Catnip for my intellect. I simply
adore it.
…Smash cut to American Horror
Story.
I mean absolutely no offense to the multitude of friends and
family that love AHS, but…guys, I’m sorry. I actively despise this show. I hate
is as much as I hate Stuart Townsend. I hate it as much as I hate
Anti-Stratfordians. I fucking hate
American Horror Story. And there’s a specific reason why. I watched the entire
first season, and basically came away with “It has great special effects, but
it’s not my thing. Too many things
irk me about it.” But I didn’t despise the show until season 3, when a coworker
of mine came up to me and had a conversation with me that is burned into my
rage brain forever:
Coworker: Hey Dee, you know a lot about
voodoo. Can you answer a question for me?
Me: Sure.
Coworker: Do you know who Papa
Legba is?
Me: (immediately extremely excited)
YES! Papa Legba is one of the most important loa in Haitian Vodou. He’s the
guardian of the crossroads, kind of the Mercury of the Vodou world. He likes to
speak in riddles and play practical jokes, he walks with a cane because he has
one foot in this world and one in the spirit world. No one can work with the
other Loa without Papa Legba “opening the door” to the spirit world, so
everyone has to pay him respect before doing anything else.
Coworker: Oh. That doesn’t sound
like what I saw. Is he a bad guy?
Me: No, not at all. There aren’t
really bad loa. Especially Rada loa. Legba’s really easy to work with.
Coworker: Does he have a skull
face?
Me: What?....No. That’s Baron
Samedi.
Coworker: Well, does he steal
souls?
Me: Um…no. What?
Coworker: Oh. He’s a bad guy in
American Horror Story. Marie Laveau sold her soul to him and she gives him
sacrifices and stuff.
What the FUCK. |
I honestly can’t remember if the
conversation went any further. My vision went white and I felt a rage I haven’t
felt in years. What the ever loving fuck?!
Here it is, 2013, an age where in America we are painfully PC about nearly everything,
and Vodou is being demonized as if it were the 17-fucking-hundreds again and
idiots wrote in tabloids about human sacrifice and “naked darkie orgies” in
order to create fear between the slave/”free
people of colour” and the privileged whites! WHAT THE FUCK?!
I can’t…I can’t continue with this.
It still makes me so mad. Suffice it to say, I loathe American Horror Story for
shitting on a religion that is already so
demonized and so misunderstood. And
it’s all misunderstood because of
historical prejudices and slavery justifications back in the most shameful period
of American history. Slave owners demonized Vodou in order to keep the “coloured
classes” down. They straight up made up
newspaper articles about having witnessed demons, orgies, and all manner of things
that would terrify good white Christians in order to perpetuate this. And it’s still
prevalent today?!
…I’m sorry, but that’s all I can
say without bursting a blood vessel in my brain. I can rant about this for
hours, but it might actually fucking kill me. Moving on.
Unfortunately, largely due to the
show’s popularity, “voodoo imagery” is rapidly replacing Dia de los Muertos
sugar skull imagery as the newest ethnocentric fad for Americans to latch onto.
And I’m sorry, but I really don’t want to be around for this fad. Top hats and
skull face paint are everywhere, decorated with bones, and no one has any
understanding of what loa they’re even mimicking, or what loa even are, or that
there are people who practice this religion and whose families have been
persecuted for generations upon generations simply for practicing this
religion. Hell, Vodou fucking blended
with Catholicism because slave owners tried to stamp it out and convert their
slaves to Catholocism, so Vodouisants practiced in disguise, using saint
imagery to represent the loa they worked with in order to avoid a goddamned lynching.
I’m getting too angry.
Deeeeeeep breaths, Dee.
Deeeeeeeeeep breaths.
Anyway, back in August, I decided that
for one of my many Halloween costumes, I wanted to try and do a female
representation of Baron Samedi, my second favourite loa (my first favourite is
Damballah, who is a giant white snake. That’d be tough to pull off.) Baron
Samedi is the loa of death, healing, sexuality, reproduction, and the lord of
the Guede, a family of loa who are essentially loud-mouthed, cursing, hilarious
spirits of the dead. I fucking love
Baron Samedi. He curses, he jokes, he swigs rum with scotch bonnets steeping in
it, smokes cigars, and causes all sorts of good-natured mayhem with the other
loa, who find him and his family very rude. The Guede are the most popular loa
family in Haiti, because whenever the Guede are called or work is to be done
with them, it’s a fucking party. They’re hilarious, lewd, and wild, and Baron
Samedi and his wife, Maman Bridgette, are no exception, though they command
immense respect. It’s said that if the Baron refuses to dig someone’s grave, no
age or illness or infirmary has the power to kill them.
Unfortunately, it is the Baron’s
image that has become synonymous with “voodoo” in this fad: a human skull with
a top hat and a cigar, a suit or tuxedo. Not many people stuff their nostrils
with cotton (I won’t either) or wear sunglasses with one eye punched out, but
yeah, Baron Samedi’s signature look has become the new sugar skull in our pop
culture. So in honoring my favourite loa with my own interpretation of him, I
am also perpetuating this horrible demonizing mess of a fad. This week at
Ination, there is a theme: Voodoo Carnival Freak Show. It sounds like an amalgamation
of the most recent AHS seasons, and it probably is. For a long time I intended
to suck it up and go as Baron Samedi, blend in with the rest of the skull faces
and top hats, but now I don’t really know what I should do. I spent money on my
costume. I want to walk around with a cigar in my mouth, swigging rum and
handing out cards with the image of Saint Expedite (or Saint Yves, I haven’t
decided which, they’re both affiliated with the Baron), but I feel like I’d be
furthering the ethnocentrism despite my own personal affection and respect for
Vodou. I might just have to abandon my beloved costume project and go with a
more “carnival” theme—belly dancer, etc.
I know that this entire rant makes it seem
like I’m a pretentious douche canoe with a stick up my ass, but seeing
Vodou/Voodoo once again demonized and
whitewashed into popularity is a tough thing to watch when I have such love for
it. I don’t believe that Ination or my old troupe, who is doing a “voodoo-themed”
performance, or anyone who is participating in the fad has anything against
Voodoo or even really thinks about it past “it’s fun!” I totally understand
that. The same thing happened with Dia de los Muertos. It’s just a fad, and it
pisses me off that I can’t just shrug it off and go, “Whatever, it’s all in
fun.” I guess we’ll see what happens with my costume and what I decide to do.
Maybe I’ll be able to say “fuck it” and go all out.
Sorry about this rant not really
having much of a moral or a point, and I really do sincerely apologize if this
offended anyone. Love you all. Better posts to come!
Comments
Post a Comment